New Ai Platform Protects Musicians’ Work – AI can play music, but does that make AI an artist? As AI begins to revolutionize the way music is created, our legal system will face some serious questions about copyright. Do AI algorithms create their own work, or are humans behind them? What if artificial intelligence software trained specifically on Beyoncé created a track that sounded like her? Jonathan Bailey, CTO of iZotope said, “I won’t comment,” “This is a real legal team.”

The word “person” does not appear in US law, and there is not much litigation surrounding its absence. Special abilities, such as His ability to work endlessly and follow the voice of a particular artist Depending on the legal decision involved, AI systems can become useful tools to help with creativity, stress that can make people work hard, or both.

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Artists are already faced with the possibility of using intellectual property to practice their designs, and the law can now allow this. Think that the artificial intelligence has trained specifically for Beyoncé’s music. “Botyoncé, if you will, or BeyoncAI,” said Meredith Rose, policy advisor at Public Knowledge. If this system produces music that sounds like Beyonce, does Beyonce owe anything? Some legal experts believe the answer is “no.”

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“There’s nothing legal for you to get results from it unless you take it directly,” Rose said. There’s room for debate, he said, whether it’s good for musicians. “I think the courts and our common sense will say, ‘Well, if an algorithm just feeds Beyoncé’s songs and the output is music, it’s a robot. .'”

The law often refuses to protect things “in the style of,” because musicians are influenced by other musicians all the time, said Chris Meman, the partner at Wembley Bond Dickinson. “Is the original artist whose model is used to train the technical skills necessary to grant the [intellectual property] rights in the documents that have appeared? Answer one can always be ‘no,” said Maman, “because the finished work is not an original work. by the author of the artist. “

In order to have a copyright issue, the AI ​​program must create a song that sounds like an existing song. It can also be problematic if an AI-generated work is marketed as sounding like an artist without the artist’s consent, in which case, it could violate privacy or copyright protect the economy, Rose said.

“It’s not about Beyoncé’s profits at all. It’s about one project at a time,” said Edward Claris, principal of Claris Law. The AI ​​generated can’t sound like Beyoncé, in most cases, it has to sound like a particular song she made. “If that’s the case,” Clarice said, “I think there’s a good reason for breaking the law.”

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Even directly training the AI ​​of an artist can lead to other legal problems. Entertainment lawyer Jeff Becker of Swanson, Martin & Bell says that creating an AI program can infringe on the owner’s exclusive right to create their work and to create material from the original. “If an AI company were to write and send copyrighted music into their computer to teach it to sound like a particular artist,” Becker said, “I see some light. problems that can arise.”

It’s still unclear if AI can legally learn about copyrighted music in the first place. When you buy a song, the teacher asked, do you also buy the right to use his voice as data to teach AI? Some experts

Recently attended the state of AI and music at the Summer Conference, which included Bailey; Matt Aimonti, CTO of Splice; And Taishi Fukuyama, CMO of Amadeus Code, the audience asked that. “What if I want to license my list to a company so their AI can learn from it?”

Even if the AI ​​system carefully mimics the artist’s voice, the artist will have a hard time proving that the AI ​​was designed to guide them, Aimonti said. With the law, you must prove that the creator of the crime has been affected by the work that they are accused of violating. If a copyright claim is filed against a piece of music made by AI, who can prove that the work has been trained on the song or the artist it is accused of that is illegal? It’s not an easy task to reverse-engineer the neural network to see what music it’s consuming because it’s “ultimately just writing numbers of weights and settings,” Bailey said. Also, when there are many lawsuits where artists are sued by other artists for not recognizing them for work, a company can say that its AI is business secret copy, and artists will have to fight in court to find out how the program works.

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“Getting to this point is only available to the best artists who can afford it,” says Becker.

The law still has to solve the big problem of writing. That is, can an intelligent machine claim copyright on the music it creates, or is it humans who create the software?

The debate over which number can be the author of a musical work in America dates back more than 50 years. In 1965, the Bureau of Legal Affairs raised this concern in its annual report under the heading “Effects of Computer Technology.” notice that the office has received a request for a musical work from the computer, and it is a fact that the number of works created or ‘write’ from nearby computers, as well as the problems of the copyright office in this area will increase. . .”

Despite this early warning flag, current US law is still unclear when it comes to the creation of non-man-made projects. For now, the lawyers are still dealing with the impact of one particular action that doesn’t involve computers or AI at all: It’s a monkey that takes a selfie .

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The case is on a crested macaque that carries a remote control for the photographer’s camera and takes pictures of itself. The debate that arose is about the person who created the idea: the photographer who sets up the camera and optimizes the space for the close-up face, or the monkey who clicks remote location and take pictures.

In the end, the US Court of Appeals for the Ninth Circuit decided that the monkey could not hold the law. The court made two points: The law includes terms such as “children” and “spouse” meaning that the creator must be a person, and Although the Law allow companies to sue, companies “created and owned by people; They are not Christians or animals.”

Many outlets use the monkey selfie decided to discuss the impact of intelligence and writing. If a monkey has no rights, then what about a song created by AI? Will the author reach out to people who develop the skills, the skills of his own or public policy?

The heart of the matter is that current US law makes no distinction between humans and non-humans. But, the U.S. Department of Homeland Security has spent a lot of time talking about how people are required to comply with the law. In the internal staff manual for the Office of the Attorney General, the document contains a section titled “Human Rights Mission.” There is also a separate section for handling code when working without a script. According to the Company, the plant cannot be a collector. Also supernatural beings or “work done by a purely mechanical machine or process that works randomly or cut without any creative input or intervention by a human author” .

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The text has been updated to note that “photo taken by a monkey” cannot be legal. But still nothing in AI.

A combination of all these strange problems happened a few weeks ago. Recently, the developers behind Endel, an app that uses artificial intelligence to create responsive and personalized “soundscapes,” signed a distribution deal with Warner Music. As part of the contract, Warner must know how to credit each track in order to register the rights. The company began to lose what to write for the “songwriter,” since it uses intelligence to create all the sounds. Finally, the founder Oleg Stavitsky said

, the team decided to write all of Andal’s staff as composers for all 600 tracks. “I have songwriting credits,” says Stavicky, “even though I don’t know how to write music.”

It sounds counterintuitive, but denying human rights over AI-powered creations could limit our ability to use algorithms for creative purposes. Clarice said, “If you accept a work created by intelligence as a new art and take the right of the intelligence of the person who created the algorithm,” Clarice said, “you have.

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